Workshop Worthwhile Dilemmas
IN PERSON AT BLACK POND. In 1975, Brian Eno and Peter Schmidt created Oblique Strategies (Over One Hundred Worthwhile Dilemmas), a […]
IN PERSON AT BLACK POND. In 1975, Brian Eno and Peter Schmidt created Oblique Strategies (Over One Hundred Worthwhile Dilemmas), a […]
There are three main objectives in this ONLINE class: • To identify aspects of your work that are distinct and personal, and
ONLINE: Participants in this workshop will create a paper trail of drawings, prints, collages, paper & cardboard sculptures, and artists’ books. Maureen
IN PERSON AT BLACK POND This workshop is designed for experienced painters who want to dive deeply into painting from
IN PERSON AT BLACK POND This workshop is designed for experienced painters who want to dive deeply into painting from
There are three main objectives in this ONLINE class: • To identify aspects of your work that are distinct and personal, and
In this intensive five-week ONLINE class we will try to grasp what Picasso meant by that. We will study the work of Paul
ONLINE. Except for the few brave souls with heated palettes and snowsuits, most of us paint the landscape in the
NANCY McCARTHY CATHERINE KEHOE SUSAN LICHTMAN Nine weeks Each artist will present a three-week segment FRIDAYS, January 15 – March
In this four-week ONLINE class we will study the use of the tondo – the circular format – in the history of
In this three-week ONLINE workshop, we will focus on the French painter Delacroix. In weekly meetings of 1.5 hours, Lucy MacGillis will introduce the
This 4-week ONLINE workshop will encourage an exploratory, intuitive, and analytical approach to figurative painting, in which narration can unfold in
IN PERSON AT BLACK POND In this intensive two-day workshop, we will work from a still life setup, with handmade Italian
ONLINE: What can we as painters take as inspiration from film? In this course, students will examine the parallels between
IN PERSON AT BLACK POND. Using a flower of your choice — an amaranth, a scabiosa, or a thistle, this workshop
In‑person workshop with Nancy McCarthy. Starts with charcoal drawing then moves into color (medium of your choice) to paint trees
In‑person workshop with Catherine Drabkin. Hands‑on studio exploration of play as a driver of creativity—still life, interiors, and color; discussion
Online workshop with Tim Kennedy. Five Saturday meetings painting heads in oil using a direct tonal approach (Hawthorne) with Dickinson
Online workshop with Catherine Kehoe. Six Wednesday meetings using family photographs as source material to transform (not copy) imagery; focuses
Online workshop (one workshop in three parts) with Nancy McCarthy, Catherine Kehoe, and Susan Lichtman. Nine weekly Wednesday meetings; each
Online workshop with Lucy MacGillis. Five Friday meetings centered on Cezanne’s approach; emphasizes risk‑taking and exploration in a supportive environment,
Online workshop with Jennifer Moses. Five weekly meetings on developing an idea through drawing into a series of paintings—sketchbook prompts
Online workshop with CATHERINE KEHOE . Weekly meetings exploring heads/portraits through direct painting and drawing; includes demonstrations, critiques, and structured
Online workshop with Catherine Kehoe. Five weekly meetings analyzing historical depictions of flight (linear relationships, shape, value, color) to build
Programme dedicated to advanced visual effects, compositing and cinematic pipelines.
Programme focused on contemporary curatorial methods, exhibition-making and critical writing.
Programme examining design through theory, criticism, history and research methodologies.
Programme focused on spatial design, interiors, sustainability and human-centered environments.