Sarah Crowner »Zigzags & Curves: A Two-Part Exhibition«

Mexico City, February 03, 2026 – March 14, 2026

Sarah Crowner

Sarah Crowner was born in Philadelphia in 1974. She lives and works in Brooklyn, New York.

Crowner is currently presenting a duo exhibition with with Etel Adnan at The Bass Museum of Art in Miami Beach, USA. Recent solo exhibitions were held at SCAD Museum of Art, Savannah, Georgia, USA (2025), Pulitzer Arts Foundation, St. Louis, Missouri, USA, Hill Art Foundation, New York, USA (2023) and The Instituto Bardi / Casa de Vidro & auroras, São Paulo, Brazil (2023); a major solo exhibition at the Amparo Museum in Puebla, Mexico (2022) as well as a site specific installation at the Chinati Foundation in Marfa, Texas (2022-2024), an exhibition at KMAC Museum, Louisville, Kentucky, USA (2018); a participation in the 57th Edition of Carnegie International (2018); the permanent installation at the Wright Restaurant, Salomon R. Guggenheim Museum, New York (2017) and the solo exhibition Beetle in the Leaves at MASS MoCA, North Adams (2016).

She has participated in various group exhibitions, among them Object & Thing at Long House, New York, and Los Angeles Country Museum, Los Angeles (both 2023), Hill Art Foundation, New York (2022), Museo de Arte De Zapopan, Zapopan, Carnegie Museum of Art, Pittsburgh (both 2021), American Academy of Arts and Letters (2018), WIELS Contemporary Art Centre, Bruxelles (2013), the Jewish Museum, NY (2015), and MoMA, NY (2013), among others. In 2013 she participated in a major survey exhibition on abstract painting at Walker Art Center in Minneapolis. She was part of the 2010 Whitney Biennial curated by Francesco Bonami and Gary Carrion-Murayari. Her works have been shown at White Columns, NY, Contemporary Art Museum St. Louis, ICA in London, Museum of Contemporary Art Detroit, de Appel in Amsterdam, Culturgest in Lisbon (all 2009), as well as DAAD Galerie, Berlin (2008).

Crowner’s recent collaboration on Pam Tanowitz’s new dance, “Pastoral”, together with the composer Caroline Shaw, at the Fisher Center at Bard College in June 2025 received great acclaim. She designed the scenography and costumes for Jessica Lang’s “Garden Blue“ with the American Ballet Theatre, NY (2018) as well as the scenography for a revival of Robert Ashley’s “Perfect Lives“ (2012), which travelled to Marfa, Texas and then on to venues in Europe.