The figures that appear in the works gathered here can be imagined at that threshold between worlds. As they begin to gain definition, they also evade it, merging with another mass, and revealing themselves only in fleeting glimpses. In this imprecise moment, unfinished forms gather in a tenuous, almost imperceptibly vital motion. Through the quiet spell cast by her paintings, drawings, and sculptures, Waysatta offers in her first solo exhibition at Campeche, a deeply personal and long-brewing reflection on the complexities of collective organization—its tensions, its blurs, and the forces that shape it.