{"id":26648,"date":"2025-03-13T21:00:32","date_gmt":"2025-03-14T03:00:32","guid":{"rendered":"https:\/\/themesh.art\/?post_type=eventos&p=26648"},"modified":"2025-08-26T15:09:47","modified_gmt":"2025-08-26T21:09:47","slug":"ojuem-primera-temporada-2025-programa-5-musica-y-medio-ambiente-agua","status":"publish","type":"eventos","link":"https:\/\/themesh.art\/en\/eventos\/ojuem-primera-temporada-2025-programa-5-musica-y-medio-ambiente-agua\/","title":{"rendered":"OJUEM | Primera temporada 2025 | Programa 5 | M\u00fasica y medio ambiente Agua"},"content":{"rendered":"

En el quinto programa de la OJUEM se presentar\u00e1 el estreno mundial del\u00a0Preludio al Apocalipsis<\/em>\u00a0de Uriel Imanol Pacheco, obra compuesta bajo el auspicio de la C\u00e1tedra Extraordinaria Arturo M\u00e1rquez de Composici\u00f3n Musical. Adem\u00e1s, en el marco de la temporada dedicada al agua se presenta\u00a0Im\u00e1genes marinas\u00a0<\/em>de Edward Elgar. Originalmente concebido en 1894 para piano y voz, este ciclo de canciones fue adaptado para voz y orquesta en 1898. Se basa en cinco poemas de diferentes autores que exploran diversas perspectivas sobre el oc\u00e9ano: su belleza, sus peligros, sus tentaciones y su simbolismo. La obra fue estrenada en 1899, con la interpretaci\u00f3n de Dame Clara Butt y bajo la direcci\u00f3n del propio Elgar. La segunda parte del concierto incluye la obertura de\u00a0La tempestad<\/em>\u00a0de Jean Sibelius; una de las \u00faltimas grandes partituras del compositor, fue escrita en 1925 por encargo del Teatro Real de Copenhague para una puesta en escena de la obra hom\u00f3nima de Shakespeare. Aunque el conjunto completo de la m\u00fasica incidental consta de 35 piezas, la obertura, publicada como obra independiente, evoca la atm\u00f3sfera y los elementos de la obra teatral. El concierto finalizar\u00e1 con\u00a0La tempestad<\/em>\u00a0de Piotr \u00cdlyich Chaikovski, una fantas\u00eda sinf\u00f3nica tambi\u00e9n inspirada en la obra de Shakespeare. Compuesta en 1873, se estructura como un poema sinf\u00f3nico en el que se alternan pasajes que reflejan la calma y la tormenta, en un v\u00edvido retrato musical del drama shakespeariano.<\/p>\r\n\r\n\r\n\r\n

Programaci\u00f3n sujeta a cambios.<\/p>\r\n\r\n\r\n\r\n

Este concierto se transmitir\u00e1 en vivo.<\/p>\r\n\r\n\r\n\r\n

Participantes<\/p>\r\n\r\n\r\n\r\n

Orquesta Juvenil Universitaria Eduardo Mata \/ David P\u00e9rez Olmedo, director hu\u00e9sped
Ana Caridad Acosta, contralto<\/p>\r\n\r\n\r\n\r\n

Programa<\/p>\r\n\r\n\r\n\r\n

Uriel Imanol Pacheco<\/strong>\u00a0(2000)
Estreno mundial de\u00a0Preludio al Apocalipsis
<\/em>Obra compuesta bajo el auspicio de la C\u00e1tedra Extraordinaria Arturo M\u00e1rquez de Composici\u00f3n Musical
Duraci\u00f3n aproximada: 10 minutos<\/p>\r\n\r\n\r\n\r\n

Edward Elgar<\/strong>\u00a0(1857-1934)
Im\u00e1genes\u00a0<\/em>marinas<\/em>, Op. 37
I.\u00a0Canci\u00f3n de sue\u00f1o en el mar
<\/em>II.\u00a0En el cielo
<\/em>III.\u00a0Ma\u00f1ana de sabbat en el mar
<\/em>IV.\u00a0Donde yacen los corales
<\/em>V.\u00a0El nadador
<\/em>Duraci\u00f3n aproximada: 24 minutos<\/p>\r\n\r\n\r\n\r\n

Ana Caridad Acosta, contralto<\/p>\r\n\r\n\r\n\r\n

Intermedio<\/p>\r\n\r\n\r\n\r\n

Jean Sibelius<\/strong>\u00a0(1865-1957)
Obertura de\u00a0La tempestad<\/em>, Op. 109
Duraci\u00f3n aproximada: 6 minutos<\/p>\r\n\r\n\r\n\r\n

Piotr \u00cdlyich Chaikovski<\/strong>\u00a0(1840-1893)
La tempestad<\/em>, Op. 18
Duraci\u00f3n aproximada: 25 minutos<\/p>","protected":false},"excerpt":{"rendered":"

En el quinto programa de la OJUEM se presentar\u00e1 el estreno mundial del\u00a0Preludio al Apocalipsis\u00a0de Uriel Imanol Pacheco, obra compuesta […]<\/p>","protected":false},"author":1,"featured_media":26649,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"featured_event":"","duracion_evento":""},"etiquetas-de-evento":[1632,1633],"ubicacion-de-evento":[479,478],"categoria-de-evento":[483,482],"class_list":["post-26648","eventos","type-eventos","status-publish","has-post-thumbnail","hentry","etiquetas-de-evento-musica","etiquetas-de-evento-musica-clasica","ubicacion-de-evento-cdmx","ubicacion-de-evento-mexico","categoria-de-evento-concierto","categoria-de-evento-musica"],"_links":{"self":[{"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/eventos\/26648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/eventos"}],"about":[{"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/types\/eventos"}],"author":[{"embeddable":true,"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/users\/1"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/media\/26649"}],"wp:attachment":[{"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/media?parent=26648"}],"wp:term":[{"taxonomy":"etiquetas-de-evento","embeddable":true,"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/etiquetas-de-evento?post=26648"},{"taxonomy":"ubicacion-de-evento","embeddable":true,"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/ubicacion-de-evento?post=26648"},{"taxonomy":"categoria-de-evento","embeddable":true,"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/categoria-de-evento?post=26648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}