{"id":25853,"date":"2025-01-27T20:30:05","date_gmt":"2025-01-28T02:30:05","guid":{"rendered":"https:\/\/themesh.art\/?post_type=eventos&p=25853"},"modified":"2025-09-24T13:02:14","modified_gmt":"2025-09-24T19:02:14","slug":"russo-siqueira-rodriguez-in-the-interstices-of-sound-and-form","status":"publish","type":"eventos","link":"https:\/\/themesh.art\/en\/eventos\/russo-siqueira-rodriguez-in-the-interstices-of-sound-and-form\/","title":{"rendered":"Russo Siqueira, Rodr\u00edguez: In the Interstices of Sound and Form"},"content":{"rendered":"

Isabella Russo Siqueira & Karen Rodr\u00edguez<\/strong><\/p>\r\n\r\n\r\n\r\n

\u201cCuando est\u00e9s viendo dos cosas,<\/p>\r\n\r\n\r\n\r\n

no las observes a ambas, mira entre ellas.\u201d<\/p>\r\n\r\n\r\n\r\n

John Baldessari<\/p>\r\n\r\n\r\n\r\n

Compartiendo un acercamiento contemplativo al proceso de creaci\u00f3n, EN LOS INTERSTICIOS DEL SONIDO Y LA FORMA <\/em>de Isabella Russo Siqueira y Karen Rodr\u00edguez examina a profundidad la materialidad, la traducci\u00f3n, la transmutaci\u00f3n y la liminalidad. Enfoc\u00e1ndose en una exploraci\u00f3n de la forma abstracta, tanto Siqueira como Rodr\u00edguez abordan el mundo y sus elementos constitutivos como material maleable. Llenas de movimiento y fluidez, sus obras se basan en la observaci\u00f3n, la repetici\u00f3n y la representaci\u00f3n para transformar lo que podr\u00edamos considerar como mundano en reflexiones sobre la naturaleza y la percepci\u00f3n, o el lenguaje y la comunicaci\u00f3n.<\/p>\r\n\r\n\r\n\r\n

Celebrando consciente e inconscientemente una conexi\u00f3n con la naturaleza, las pinturas abstractas inherentemente psicol\u00f3gicas de Russo se construyen de forma espont\u00e1nea y responden tanto a su mundo interior como a su entorno. Adoptando una pr\u00e1ctica multidisciplinaria, sus pinturas exploran la materialidad de la superficie y el objeto. Utilizando objets trouv\u00e9s<\/em> o materiales inusuales como punto de partida, Russo comienza cada pieza ti\u00f1endo sus sustratos con pigmentos naturales. Despu\u00e9s, estos lienzos sin estirar se colocan en el suelo y se pintan, acumulando restos org\u00e1nicos y relacion\u00e1ndose con el cuerpo a trav\u00e9s de la escala y los gestos pict\u00f3ricos que se perciben dentro de ellos. De manera complementaria, las esculturas de cer\u00e1mica de Rodr\u00edguez reflejan el cuerpo de la artista tanto figurativa como t\u00e1ctilmente.<\/p>\r\n\r\n\r\n\r\n

Nacida en una familia que empleaba y en ocasiones modificaba el lenguaje de se\u00f1as para comunicarse entre s\u00ed, Rodr\u00edguez est\u00e1 \u00edntima y personalmente interesada en explorar el lenguaje, el silencio y la comunicaci\u00f3n. Sus esculturas, que representan los gestos faciales necesarios para el habla y surgen de la observaci\u00f3n estudiada de su familia, dan forma a la conmoci\u00f3n de la comunicaci\u00f3n y la quietud del silencio. Al explorar los elementos visuales y textuales del lenguaje \u2014particularmente los espacios negativos o silencios inherentes a su uso\u2014 Rodr\u00edguez le otorga materialidad a aquello que pasa desapercibido y logra transmutarlo en distintas materialidades. Explotando las posibilidades pl\u00e1sticas tanto de la enunciaci\u00f3n como del silencio, Rodr\u00edguez trabaja a partir de los recovecos que son esenciales para el acto de la comunicaci\u00f3n; dejando as\u00ed espacio para encontrar mensajes ocultos entre las l\u00edneas, contornos y vol\u00famenes de sus piezas.<\/p>\r\n\r\n\r\n\r\n

Dialogando con la abstracci\u00f3n e interesadas por representar aspectos particulares de la vida \u2014ya sea la conexi\u00f3n entre la forma humana y la naturaleza o la relaci\u00f3n entre el sonido y la comunicaci\u00f3n\u2014 las pr\u00e1cticas de ambas dan forma a la existencia a trav\u00e9s de la exploraci\u00f3n material. Las cuatro pinturas inmersivas de Russo conversan con los sahumerios de cer\u00e1mica de Rodr\u00edguez, evocando el concepto de pareidolia<\/em> y estimulando a los sentidos y la imaginaci\u00f3n a ir m\u00e1s all\u00e1 de lo representado. Con reminiscencias a un ecosistema, ya sea a escala micro o macro, las pinturas de Russo conectan el presente con la noci\u00f3n de lo universal; mientras que las cabezas escult\u00f3ricas abstractas de Rodr\u00edguez equilibran los aspectos gestuales tanto familiares como desconocidos del lenguaje. Al explorar los espacios entre lo familiar y lo irreconocible, ambas inmortalizan los patrones que emergen de los espacios liminales entre una cosa y otra. Descubriendo de tal forma aquello que sale a la superficie al adentrarse en los intersticios del sonido y la forma.<\/p>\r\n\r\n\r\n\r\n

IN THE INTERSTICES OF SOUND AND FORM<\/strong><\/p>\r\n\r\n\r\n\r\n

Isabella Russo Siqueira & Karen Rodr\u00edguez<\/strong><\/p>\r\n\r\n\r\n\r\n

\u201cWhen you\u2019re looking at two things,<\/p>\r\n\r\n\r\n\r\n

don\u2019t look at them, look between them.\u201d<\/p>\r\n\r\n\r\n\r\n

John Baldessari<\/p>\r\n\r\n\r\n\r\n

Sharing a contemplative approach to the process of making, Isabella Russo Siqueira and Karen Rodriguez\u2019s IN THE INTERSTICES OF SOUND AND FORM <\/em>delves deeply into materiality, translation, transmutation, and liminality. With abstract form at the forefront of their aesthetic explorations, both Siqueira and Rodr\u00edguez approach the world and its constituent parts as malleable material. Alive with movement and fluidity, their works rely on observation, repetition, and representation to transform what we may deem mundane into open-ended reflections about nature and perception, or language and communication.\u00a0<\/p>\r\n\r\n\r\n\r\n

Consciously and unconsciously celebrating an innate connection with nature, Russo\u2019s inherently psychological abstract paintings evolve spontaneously and respond to both, her inner world and surroundings. Embracing a multidisciplinary practice, her paintings explore the materiality of surface and object. Utilising objets trouv\u00e9s<\/em> or unusual materials as a starting point, Russo begins each piece by dyeing her substrates with natural pigments. Later, these unstretched and dyed canvases are laid on the ground and painted, accruing organic traces and relating to the body through scale and the unfolding painterly gestures within them. Complimentarily, Rodriguez\u2019s ceramic sculptures reflect their maker\u2019s body both figuratively and tactilely.\u00a0<\/p>\r\n\r\n\r\n\r\n

Born to a family that employed and at times modified sign language to communicate with one another, Rodr\u00edguez is intimately and personally interested in exploring notions of language, silence, and communication. Representing the facial gestures required for speech and sourced from the studied observation of her family, her sculptures give form to the commotion of communication and stillness of silence. Exploring both the visual and textual elements of language \u2014particularly the negative spaces or silences inherent in its use\u2014 she bestows materiality to that which goes unnoticed or unremarked and succeeds in transmuting it into other materialities. Mining the plastic possibilities of enunciation as well as silence, Rodr\u00edguez works from the nooks and crannies that are essential to the act of communication; thus leaving room to find hidden messages among the lines, contours and volumes of her pieces.<\/p>\r\n\r\n\r\n\r\n

Dialoguing with abstraction and concerned with representing particular aspects of life \u2014be it the connection between human form and nature or the relationship between sound and communication\u2014 both of their practices give shape to existence through material exploration. The four immersive paintings by Russo converse with Rodriguez\u2019s ceramic sahumerios (incense vessels), evoking the concept of pareidolia<\/em> and stimulating the senses and imagination amongst and beyond what is depicted. Reminiscent of an ecosystem on a micro or macro scale, Russo\u2019s paintings connect the present to the notion of the universal, while Rodriguez\u2019s abstracted sculptural heads balance the familiar and unfamiliar gestural aspects of language. Exploring the spaces between the familiar and the unrecognisable they both immortalize the patterns that emerge from the liminal spaces between one thing and another \u2014discovering in this way, that which comes to the surface upon delving into the interstices of sound and form.<\/p>","protected":false},"excerpt":{"rendered":"

Isabella Russo Siqueira & Karen Rodr\u00edguez \u201cCuando est\u00e9s viendo dos cosas, no las observes a ambas, mira entre ellas.\u201d John […]<\/p>","protected":false},"author":129,"featured_media":25848,"template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"featured_event":"","duracion_evento":""},"etiquetas-de-evento":[506,1636,1623],"ubicacion-de-evento":[479,478],"categoria-de-evento":[1628,1631],"class_list":["post-25853","eventos","type-eventos","status-publish","has-post-thumbnail","hentry","etiquetas-de-evento-artes-visuales","etiquetas-de-evento-escultura-artes-visuales","etiquetas-de-evento-pintura-artes-visuales","ubicacion-de-evento-cdmx","ubicacion-de-evento-mexico","categoria-de-evento-exposicion","categoria-de-evento-galeria-exposicion"],"_links":{"self":[{"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/eventos\/25853","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/eventos"}],"about":[{"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/types\/eventos"}],"author":[{"embeddable":true,"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/users\/129"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/media\/25848"}],"wp:attachment":[{"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/media?parent=25853"}],"wp:term":[{"taxonomy":"etiquetas-de-evento","embeddable":true,"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/etiquetas-de-evento?post=25853"},{"taxonomy":"ubicacion-de-evento","embeddable":true,"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/ubicacion-de-evento?post=25853"},{"taxonomy":"categoria-de-evento","embeddable":true,"href":"https:\/\/themesh.art\/en\/wp-json\/wp\/v2\/categoria-de-evento?post=25853"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}